In this new age of social distancing and contact-free interaction, music and performance are engaged in a delicate dance—literally and figuratively. One Amsterdam-based filmmaker has managed to capture the essence of solitude, and he’s chronicled it in his latest short film.
The history of art features countless examples of painters, sculptors, and technicians, chronicling the minutiae of devastating periods in time, oftentimes using ebullient and joyful colors and materials to distract and entertain audiences. One guerrilla mosaic artist continues this tradition, and he brings his signature artistic style to the bumpy streets of Chicago.
In the last few months, countless people have lost their jobs, their livelihoods, their loved ones. The overall personal toll of the coronavirus is still too early to measure. Fortunately, one element of this global pandemic in which we are seeing a positive increase is the number of PPE (Personal Protective Equipment) available—especially in hotspots like New York City. This is partially due to the sheer stick-to-itiveness of, among other sources, creative minds, small businesses, and dedicated humans. And one such collaboration in particular.
Off the beaten path in a dusty town 25 miles east of Albuquerque, New Mexico, lies a roadside attraction that is as enchanting and wondrous as it is perplexing. Tinkertown Museum is a one-of-a-kind destination for all things whimsical—and its mythic appeal to locals and far-flung travelers for over 40 years might be what keeps it going.
Deep in the heart of the West Texas desert, sitting conspicuously alongside a lonely and infrequently traveled highway is a Prada boutique. That’s right, a hyper-realistic art installation, built to replicate one of the luxury brand’s high concept stores, has stood in place, unstaffed and virtually inaccessible, for fifteen years. And despite the lack of transactional fashion available, the site remains a steady draw. So how exactly did this desert oasis come to be?
Humans weren’t made to live in isolation. Being social and forming meaningful relationships has a positive effect on mental health. In fact, the impact of being social is so profound that it can help to ward off depression and even lower the risk of dementia. What does that mean in a world where being social can also mean sharing a potentially deadly disease? When trendy catchphrases are “social distancing” and “stay home,” can virtual connections be as meaningful? Photographer and director Anna Radchenko seeks to explore these ideas in her two capsule-photography series, “The Melancholy Rooms” and “Baby Cribs.”
The Isle of Man, a tiny, self-governing British Crown dependency situated between Ireland, Scotland, England, and Wales in the heart of the Irish Sea, features prominently in Britain’s history of scintillating storytelling. A proud population of around 80,000 Manx occupy this mythical territory, and most are keen to preserve its rich connection to traditional fairy folklore. And they’ve recently gotten some help from an outside source.
We could all use a little bit of beauty right about now, couldn’t we? Take some time out of your day to bask in the sheer cinematic sumptuousness of the latest music video by Polish composer and pianist Hania Rani, who creates enthralling worlds with her singular sound.
Atlanta, Georgia, is a city steeped in history. One of the country’s most formidable cultural destinations, this state capital is home to nearly half a million citizens, as well as countless points of interest – including theaters, museums, galleries, and trails. One local artist knows all too well about the abundance of historical hotspots and the likelihood of becoming overwhelmed by all that the city has to offer tourists and residents alike. But Karen Anderson Singer isn’t your average tour guide.
Knockdown Center is an immersive gallery and contemporary performance space in Maspeth, Queens, known for showcasing innovative and challenging formats of art and visual media. The building itself, named for the Knock-Down door frame that was invented at the site in 1956, has witnessed a tremendous degree of transformation in its more than 100 years of functional existence. So, too, has the audience of revelers who wander the expansive halls, emerging renewed and recharged as a result of any one of the transfixing exhibits that take place.
