Located roughly a hundred miles northeast of Reno, Nevada, the annual gathering fondly known as “Burning Man” has been mesmerizing art audiences for over three decades. While “Burning Man” has a tangled history, it was founded in 1986 and is now maintained by Burning Man Project, a non-profit organization boasting its headquarters in San Francisco, California.
Two hours east of San Diego, on the remote Southern California S-3 highway, you may find yourself in a strange new world. Two bucks rearing on their hind legs make a stunning sight across the flat landscape. Then a giant scorpion fighting with a beetle. The profile of a sand dragon breaks the desert skyline. Welcome to Borrego Springs, California.
Social impact artist Benjamin Von Wong is back with another immersive art experience aimed at raising awareness about the harm of plastic pollution. After his #Strawpocalypse installation in Ho Chi Minh City, Vietnam, Von Wong turned his attention to Singapore where he built #Plastikophobia, along with fellow artist Joshua Goh and social media strategist Laura François.
Where many see an abandoned building set for demolition, an artist can envision a masterpiece. In an abandoned art deco mansion, Melbourne artist Rone continues his tradition of combining large-scale street art portraits with immersive art installations in buildings set for destruction.
It is easy to dismiss an artist whose predominant medium is felt as childish or just another crafter. Nevertheless, British artist Lucy Sparrow has shown that the soft and fuzzy textile can easily transform into both serious and fun art.
The “Rainbow Village” is a whimsical living art museum in the Nantun district of Taichung City, Taiwan, featuring a small collection of houses painted in vibrant patterns and bright colors by retired soldier Huang Yung-fu.
“It’s just one straw, said 8 billion people.” This line is what inspired Canadian photographer and artist Benjamin Von Wong to create his latest socially conscious art installation “The Parting of the Plastic Sea.” The stunning art piece is currently on display at the atrium of the Estella Place retail mall in District 2 of Ho Chi Minh City, Vietnam, until March 24, 2019.
The “Mothership Space Net Penthouse” is an impressive, intricate, and sheerly wacky installation hovering at 400 feet above the Utah desert in Moab, USA. Hand-knitted from 14,000 feet of colorful cordage, the spider web-like art-piece was installed over a three-day period during the Thanksgiving week of 2014 by the “Moab Monkeys.”
Selfie culture, media craze, and over-reliance on technology in a society sliding into a state of general decadence are some of the hot-button issues Los Angeles-based artist “Thrashbird” is keen on exposing through his art.
Created in 1974 by the San Francisco-based avant-garde art collective “Ant Farm,” Cadillac Ranch is a startling roadside installation just 10 miles southwest of Amarillo, Texas. Architects Chip Lord and Doug Michels, along with art student Hudson Marquez bought ten used Cadillac cars at an average cost of $200 each from local junkyards to use them for their unique project.
